all major and melodic scales on b flat clarinet

The harmonic major scale may also be considered a synthetic scale, primarily used for implying and relating to various altered chords, with major and minor qualities in each tetrachord. The C harmonic major scale may be derived from the F melodic minor scale with a raised fourth: F G A ♭ B C D E. The C-sharp harmonic major scale can also be obtained from the C-sharp harmonic minor scale, which is C ♯ D ♯ E F ♯ G ♯ A B ♯, by raising the E to E ♯. Notice the sixth note in the sequence is lowered, from B ♭ to B. Harmonic minor contains the same types of seventh chords, but in a different order.Įm (or E since the ♭4 can be respelled as 3 (enharmonic equivalent) 1, ♭4, 5)Ī progression in harmonic major Play ( helpįor example, a D-flat major scale consists of the notes: D ♭ E ♭ F G ♭ A ♭ B ♭ C whereas a D-flat harmonic major scale consists of the notes: D ♭ E ♭ F G ♭ A ♭ B C.

Below are the mode names, their degrees, and the following seventh chords that can be built using each modal tonic or degree of the parent mode as the root: a major seventh chord, a half-diminished seventh chord, a minor seventh chord, a minor major seventh chord, a dominant seventh chord, an augmented major seventh chord, and a diminished seventh chord. The harmonic major scale has its own set of modes, distinct from the harmonic minor, melodic minor, and major modes, depending on which note serves as the tonic. The harmonic major scale may be used to construct the following chords, which also may be thought of as borrowed from the parallel minor: the dominant minor ninth chord, the fully diminished seventh leading tone chord, the supertonic diminished triad, the supertonic half-diminished seventh chord, and the minor subdominant. Whole, whole, half, whole, half, augmented second, half The intervals between the notes of a harmonic major scale follow the sequence below: It can be considered a major scale with the sixth degree lowered, Ionian ♭6, or the harmonic minor scale with the third degree raised. It corresponds to the Raga Sarasangi in Indian Carnatic music. In George Russell's Lydian Chromatic Concept it is the fifth mode (V) of the Lydian Diminished scale.

In music theory, the harmonic major scale is a musical scale found in some music from the common practice era and now used occasionally, most often in jazz.

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All major and melodic scales on b flat clarinet